Back in 2005, I decided I’d like to judge a BBQ contest so I did a little research and discovered I’d have to take a class through either the Kansas City BBQ Society or the Memphis BBQ Network. I decided on Memphis because it was closer and I’d heard more about the Memphis in May events which included a huge BBQ festival and competition.
So, off to Memphis went I and after the training session, I decided to meander through the Delta for several days. I’d been there before but always with family and always on a schedule. I was retired now and my time was my own.
Most music lovers have probably never heard of Sam Hopkins. But call him Lightnin Hopkins and maybe the light bulb switches on. Hopkins was from Texas and before his death in 1982 he became one of the best known of all the early blues pioneers. He was also one of the most prolific and frequently recorded.
People always reference Robert Johnson’s style of guitar playing as being the best but best is something hard to define. I personally don’t know any blues picker better than Hopkins.
Ohio never had much of a barbecue heritage and growing up there I had no knowledge of what real barbecue was. I also had no knowledge of the great variety and the forever argument over who has the best. Barbecue to us buckeyes was what you got at a drive-in restaurant and it usually came out of a can, sauce and all.
My first experience with real Carolina ‘cue was at Wilber’s Barbecue in Goldsboro, NC. We spent a week at Atlantic Beach and when we’d talk to people on the beach they’d ask us if we had stopped at Wilber’s for the barbecue. At the end of the week, on the way back to Ohio, we stopped and had a large family style meal of pulled pork, vinegar slaw, potato salad, hush puppies, sweet tea, and banana pudding. For years we went to Atlantic Beach every year and never passed Wilber’s without stopping for a plate. It was my first and to this day, remains my favorite. Matter of fact, there’s a bottle of Wilber’s Eastern Carolina vinegar sauce in our fridge at this moment.
Today marks the fourth day of Black History Month for 2019. As has been my custom I try to write about some aspect of the Black experience in America. Here’s my current offering. I hope you both enjoy it and learn a little of our nation’s history.
My father’s family was from South Carolina and during the 1950s I would occasionally spend a summer with them. Because of that, I became aware of Jim Crow or segregation laws. I never tried to understand these things and as a kid just accepted them as being, “the way things were.”
As an adult, I began to learn and question the truth and subsequently became a sometime student of Southern and Black History. This eventually led to an interest in blues music history and from this, I became aware of the Chitlin Circuit, a loose association of entertainment venues that catered to Black performers. Traveling the circuit meant Black entertainers needed services. They needed fuel and car maintenance, food, shelter, medical care and so much more that wasn’t easily found in a segregated America.
I love blues, I love folk music, and I love the simple music of the people. Here’s a video of an old Philadelphia street performer named Blind Connie Williams singing an old Gospel. Take my Hands Precious Lord. I love his guitar playing and the tenor of his voice.
Justin Johnson has been in Nashville for several months working at Cash Cabin on a new double album, Drivin’ it Down. This one is different in that he’s using a whole band along with vocalists. Among the songs recorded was Chuck Berry’s Johnny B. Goode but they had no plans to video and release it until Chuck Berry suddenly passed away.
Drivin’ it Down will be released on April 1, 2017 and may be ordered from Justin’s website.
Album credits include:
•Filmed and Recorded at Cash Cabin Studio, Nashville TN
•3x GRAMMY Award Winning Artist Bill Miller on Vocals
•Justin Johnson on Lead Guitar
•Executive Producer of “Drivin’ It Down,” Ian McDonald, on Rhythm Guitar
We had lunch yesterday with a couple of my wife’s cousins and their spouses at Beaugard’s Southern Barbecue in Wilmington. Hadn’t been there in a couple of years but Beaugard’s is as good a que as can be found above the Mason-Dixon Line. I didn’t have a column written for today so with the zing of Beaugard’s hot sauce still, on my tongue, I decided to reprise something BBQ related from the past. Here’s an article that was published in the Times-Gazette in 2002.
Barbeque I’ve Known
February 3, 2002
Maybe it’s because I was born in South Carolina but, I never tire of going south. When most folks think of the South visions of magnolias, antebellum homes, pine trees or NASCAR may come to mind. For me, it’s barbeque.
In 2005 I decided I wanted to take a class in becoming a certified barbecue judge. So off I went to Memphis for a day in the classroom of the Memphis Barbecue Association. Afterwards I headed south into Mississippi on what may have been my first field trip into the heart of blues history. I spent several days in and around Clarksdale which literally is ground zero for the blues. The following is an article I wrote for one of the local newspapers and a couple of years ago Ron Coffey asked about it. There was something I said that he liked and I was unable, till now, to find the article.
Anyway, I found it and decided to republish it as my offering for this day. Hope you enjoy.
Originally published in August, 2005.
For many years I’ve been interested in Southern culture and food. About fifteen years ago this interest evolved into a love of blues music and blues history. The blues that most people are familiar with is probably that performed by such greats as Stevie Ray Vaughn and B.B. King. The blues that I’m most interested in is far more raw and basic. It’s the blues that was born in the cotton fields of the Mississippi Delta and came out of hard times and hard living.
Just like going to the mailbox used to have certain elements of surprise, mystery, and excitement I get the same each morning when I log into Facebook. I never know what’s waiting for me and this morning it was, to my great pleasure, a new song from my favorite French sleazy bluesman, Delbarjo. He’s playing one of the coolest looking and sounding three string box guitar on the planet. Merci mon ami.
When blues fans gather and the chatter turns to BB King the one thing most share is the opinion that King’s 1964 album, Live at the Regal, was his best. I own the CD and I really can’t disagree, the man was at the top of his game that evening.
Today I watched a video of BB’s 1983 appearance on PBS’s Austin City Limits and came away convinced his game hadn’t lessened over the intervening twenty years.
Just when I think I seen everything Delbarjo has produced along comes one that’s new to me. Here he is demonstrating a simple three-string fretless box guitar. Basic blues pattern but damn it sounds wonderful to me.
My French cigar box guitar friend, Ludovic Fonteraud (aka Delbarjo), recently received a great new three-string from another CBG friend in Finland who builds under the name, Hobo 63. Here’s a great demo Delbarjo posted on YouTube demoing his latest instrument. It is just so smooth!
I bought my first guitar in the early 1960s and have owned at least one for most of my life. I love guitars and just enjoy having one sitting in the corner to stare at occasionally. I know lots of chords and can “noodle” out melodies to myself but I don’t speak music.
Several years ago I broke my left shoulder and the result was greatly reduced range of motion making it painful to play an ordinary instrument. That doesn’t mean that I’ve lost my love of these things or that I don’t own one. Matter of fact, just last fall I bought a new Gretsch acoustic resonator guitar in the hope that it having a shorter neck I’d be able to play it more comfortably.
My new axe is a Gretsch G9200 and it both looks and sounds wonderful. I have a friend in France, Delbarjo, who is a great guitarist and he recently posted a version of the G9200 on Facebook along with a video of one being demonstrated. Looking for other videos I came across one by Toby Walker playing my Gretsch version and decided I’m going to watch this over and over and imagine it’s me playing if only I’d been born into a musical family, had an entirely different brain, and higher level of coördination.
Tommy Emmanuel is an Australian guitar slinger who’s almost unequaled in his versatility with the instrument. I came across this video of him playing a “twelve bar blues tune in the key of E.” To my ear it’s more of a boogie than a traditional twelve bar blues tune but it makes no difference, the man’s fingers are smokin’!